Scene: Arashumoottil Appukuttan (Jagathy) is preparing for the big chess game with a book in hand his dad (Oduvil Unnikrishnan) is the proxy for opponent Asokan (Mohanlal). Scene:Vijayan’s (Sreenivasan) comically profound observation offered to Dasan (Mohanlal), after they buy a cow and build dreamy business empires…in the air!Ĭontext of use: Every small and big moment when we want to imagine our dreams turning into reality, while retaining just a hint of comic fatalism. “Ellathinum athintedaaya samayamundu Dasaa” (Nadodikattu) For those less schooled in the useful repartees and retorts of Malayalam cinema, here’s a handy list – for those moments in life when you wish you could ‘just remember that!’ And just like that we have iconic, oft-quoted, little parcels of cinema that we carry with us from light to night. And some Malayalees breathe life into cinema - when they recall and deliver in everyday situations, with impeccable precision, a dialogue, a phrase, or even a gesture captured on screen.
#MEESHA MADHAVAN MALAYALAM MOVIE SONGS MOVIE#
This movie is not as low as a mimicry movie, but just a few notches above it and a few notches below mediocre.Most Malayalees breathe cinema. Out of all the songs composed by Berny Ignatious, only one, Aaru Paranju sung by Jayachandran and Chitra is good. Kavya Madhavan looks pretty and not much acting is required from her in this movie. Jayasurya still has a long way to go in being a comic hero. (Why does he have to make a remark after each person’s dialogue?). Credit has to be given to the director Shafi not making all these actors over-act, but even he could not refrain making from Harisri Asokan’s character so irritating. Some of the dialogues are funny, but most of it just the same old stuff. Such comedy movies do not rely on the story, but on individual scenes and the dialogues. It must be either Confucius or Aristotle who said, “Don’t over analyze movies in which both Salim Kumar and Harisri Asokan are there”, but still we have to offer some words of wisdom to spare you the agony of watching this movie. As in Meesha Madhavan, these characters portray the same role in this movie as well, thus confirming to the law. Salim Kumar has to look pathetic and gaudy and Cochin Haneefa has to be the idiot. So some complications are added and how they get resolved is the story.Īs per another law (previous law in Mayilattom review) which was passed by Kerala Govt., in every comedy which has Jagathi Sreekumar, Harisri Asokan, Salim Kumar and Cochin Haneefa, Jagathi must be having a decent job and be well dressed and Harisri Asokan should either be a beggar or in some profession just above it. They both start getting each other’s calls and start falling in love after many comic scenes. In a bank, his cell phone gets swapped with Kavya Madhavan, who is the daughter of a rich businessman (Lalu Alex). Lal and family run a fireworks business and it was to expand this business that Jayasurya went to borrow money. The story is about Jayasurya who as a child is adopted by Lal as his brother. Now you get an idea for the quality of jokes in this comedy film which has almost every comedy actor in Malayalam film industry. Then he shakes his thumb and asks what that is. “No”, says Salim Kumar, “It is Abdullah”. He points his thumb at Jayasurya and asks him what that is. When Jayasurya goes to borrow some money from the financier Manavalan (Salim Kumar), he (Salim Kumar) is seen wearing an Eastman color dress, dark glasses and talking as if he is in a drama. Cast: Jayasurya, Kavya Madhavan, Jagathy Sreekumar, Lal, Salim Kumar, Harisri Ashokan
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